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We can stay in touch online even between each festival. "Connected" is our platform of digital offerings that are available throughout the entire year, including livestreams, artist interviews, and background reports. This is where you have an opportunity to become better acquainted with important musicians, ask us questions about music, and further enhance your concert experience. Have a look and enjoy!
“We Are LUCERNE FESTIVAL”
Even with all the digital options that have been springing up, the past few weeks have reminded us that there is no substitute for the live musical experience. We asked musicians, long-time Festival goers, and members of the Festival team about their own most remarkable moments at LUCERNE FESTIVAL. A performance does not simply end when the applause fades away. It reverberates afterward – even for years, as we call to mind our most unforgettable highlights. You, too, are invited to participate. We would be delighted for you to share your own loveliest experience(s) at the Festival. Send us your story in writing or as a video upload to email@example.com.
“Lucerne, City of Music”
Lucerne and music simply go together. Enjoy members of the LUCERNE FESTIVAL ORCHESTRA getting together at various spots in the city and playing music by Mozart and Dvořák in smaller chamber music versions. We will be posting video clips of this seven-part series of mini-concerts starting in July.
Mozart | Flute Quartet in D Major, K. 285 - I. Allegro
Mozart | Flute Quartet in D Major, K. 285 - II. Adagio
Mozart | Flute Quartet in D Major, K. 285 - III. Rondeau. Allegretto
Dvořák | Terzetto in C Major, Op. 74 - I. Introduzione. Allegro ma non troppo
Dvořák | Terzetto in C Major, Op. 74 - II. Larghetto
Dvořák | Terzetto in C Major, Op. 74 - III. Scherzo. Vivace
From Sun, 9 August
“Happy Hour” Live Chats
At “Happy Hour,” musicians from the LUCERNE FESTIVAL ORCHESTRA, the LUCERNE FESTIVAL ACADEMY and other great artists get together digitally. They will exchange ideas and converse about music. But they will also talk about anything else that has caught their interest. You can follow the chats live here on our homepage on our YouTube Channel or on our Facebook-Page and jump in as you like using the comment function to join conversations with the artists.
Members of the LUCERNE FESTIVAL ORCHESTRA, Director Michael Haefliger
Valentine Michaud, Kian Soltani, Festival-Dramaturge Susanne Stähr
Herbert Blomstedt, Festival-Dramaturge Susanne Stähr
Members of the LUCERNE FESTIVAL ALUMNI, Felix Heri
«Luzerner Glocken – con sordino» with Composer Peter Conradin Zumthor
Patricia Kopatchinskaja, Susanne Stähr
Gianluca Capuano, Susanne Stähr
Solidarity For Music with Sandra Studer, Michael Haefliger and Cécile Marty
“That Is the Question”
Anyone who goes to a concert or who simply listens to music knows that questions come up which the program book and the usual scholarly sources don’t cover. If you've ever wondered why the horn sometimes emits squeaking sounds, why conductors almost never appear on the podium the most formal attire, or whether critics are supposed to applaud (or not) after a performance, just ask us! We will find the answer by posing it to an expert. Please send us your question – preferably as a video upload in landscape format – to firstname.lastname@example.org.
Is a critic really allowed to clap at the end of a concert? With Christian Wildhagen
What tasks make the concertmaster so special? With Raphael Christ
Why is it so difficult to play the horn? With Sarah Willis
How stays a singers voice healthy? With Mauro Peter
Why do some conductors use a baton and others do without one? With Yannick Nézet-Séguin
What makes it easy get access to contemporary music? With Baldur Brönnimann
The Saxophone fits together better with Jazz or Classical Music? With Valentine Michaud
Is it easy or difficult to perform Mozart? With Sir András Schiff
Even more Mozart with Sir András Schiff
“Pizz ’n Bits”
Even though they’ve been sequestered in different locations, they sing, dance, and make music together, for they don't want to be alone (and they have been getting a little bored on top of that). Watch and listen as cellist Federica Vecchio (alias Madame Swarowski) and violinist Eleonora Savini (alias Puña) meet digitally. They will carry on with their family concert “Pizz’n’Zip,” which they presented last summer at LUCERNE FESTIVAL. A six-part series for our young (and young-at-heart) audience – who can participate in the fun themselves!
Presentation of the project & join-in action
Let's sing the main theme!
Let's dance in two and three!
Let's meet the violin and the cello!
Let's sing in minor and in major!
Let’s build an instrument together!
“World’s Best Friends”
LUCERNE FESTIVAL is the preeminent festival of orchestras. Where else can you marvel at so many top international ensembles, one after the other, in a four-week span each summer? But this year everything is different... So orchestras that enjoy a close association with the Festival have shared personal greetings, and we will also be showing an excerpt from their past performances in Lucerne, drawing on previously unreleased video recordings.
Riccardo Chailly and the LUCERNE FESTIVAL ORCHESTRA | Mahler
Sir George Benjamin, Reinhold Friedrich, LUCERNE FESTIVAL ACADEMY | Rihm
Jakub Hrůša, Emmanuel Pahud, Mahler Chamber Orchestra | Mozart
Bernard Haitink, Vienna Philharmonic Orchestra | Bruckner
Yannick Nézet-Séguin, LUCERNE FESTIVAL ORCHESTRA | Shostakovich
Do you wish you could attend one of our "Life Is Live" concerts but are unable to do so? No problem: several of these events will be broadcast on TV and radio, along with selected highlights from past years of the Festival.