Alisa Weilerstein © Marco Borggreve
Alisa Weilerstein © Marco Borggreve
Alisa Weilerstein

Performers


Program

17.30
Introduction to the Concert
with Susanne Stähr (KKL Luzern, Auditorium, in German)

18.30
Johann Sebastian Bach (1685–1750)
Suite for Cello solo No. 1 in G major, BWV 1007

Suite for Cello solo No. 2 in D minor, BWV 1008

Suite for Cello solo No. 3 in C major, BWV 1009
19.30
expected intermission

Johann Sebastian Bach (1685–1750)
Suite for Cello solo No. 4 in E-flat major, BWV 1010

Suite for Cello solo No. 5 in C minor, BWV 1011

Suite for Cello solo No. 6 in D major, BWV 1012

21.05
expected end of concert

Description

For Víkingur Ólafsson, what is miraculous about Bach’s Cello Suites is that “the musical whole seems to be greater than the sum of its parts. The spirit contained within these works truly defies material constraints.” Here Bach pulled off the remarkable feat of writing music for a single voice that at the same time contains the sonic space and richness of polyphony. He does not even need double, triple, or quadruple stops to create this paradoxical effect: all by itself, the pure melodic line is enough to suggest intricate polyphonic textures, to hint at inner voices and counterlines, or to create harmonic illusions. Bach also transforms the traditional dance forms — ranging from the allemande and courante through the sarabande to the minuet and gigue — “from the earthly into the spiritual,” as Víkingur puts it. That is why he invited Alisa Weilerstein to explore this year’s Pulse theme, “Spirit & Matter,” with a complete performance of Bach’s Cello Suites. When the American cellist released her acclaimed recording of all six works six years ago, The Guardian praised the “sunlit clarity” of her interpretation.


Event Venue

KKL Luzern, Concert Hall

Kultur- und Kongresszentrum Luzern
Europaplatz 1
CH-6005 Luzern

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