Mon 31. Aug | 19.30 | KKL Luzern, Concert Hall
Symphony Concert 15
Royal Concertgebouworkest | Collegium Vocale Gent | Philippe Herreweghe | soloists
The Austrian baritone Florian Boesch, who comes from a Viennese family of singers, had his earliest vocal training from his grandmother, Ruthilde Boesch, before beginning studies at the University for Music in Vienna, where he took Robert Holl’s classes in lieder and the oratorio. He began his international career in 2003 as Papageno at Zurich Opera. Since that time, Boesch has been a regular guest on many international stages. In 2017, he sang Méphistophélès in Berlioz’s La Damnation de Faust at the Berlin Staatsoper, with Sir Simon Rattle conducting; in the current season, he has already sung the title roles in Berg’s Wozzeck and Handel’s Saul at the Theater an der Wien. Boesch enjoyed a longstanding close partnership with Nikolaus Harnoncourt. Together, they performed works by Monteverdi, Bach, Handel, Haydn, Mozart, and Beethoven at the styriarte and Salzburg Festivals, as well as with the Berlin Philharmonic. Florian Boesch has also concertized with Ivor Bolton, Gustavo Dudamel, Iván Fischer, Valery Gergiev, Philippe Herreweghe, Sir Roger Norrington, and Robin Ticciati. In the 2014-15 season, he was artist-in-residence at Wigmore Hall in London, and he held the same position at the Vienna Konzerthaus in the 2016-17 season. Lieder singing is an important component of his work: credits include recitals at the Schubertiade, the Edinburgh Festival, the Amsterdam Concertgebouw, the Konzerthaus in Dortmund, the Philharmonie in Luxembourg, and the Musikverein in Vienna. Together with the Tyrolean Musicbanda Franui, he developed the project Alles wieder gut, which he will present in Brussels and at the Hamburg Elbphilharmonie in the spring of 2018. Florian Boesch’s recording of ballades by Loewe won the Edison Award in 2012. His latest CD, which was released in the fall of 2017, is devoted to Schubert’s Winterreise.
LUCERNE FESTIVAL debut on 12 September 2006 as Poeta in Salieri’s Prima la musica, poi le parole under the direction of David Stern.