Concert choral 4

Orchestre symphonique et Chœur de la Radio bavaroise | Mariss Jansons | solistes

Beethoven | Mendelssohn | Rachmaninov

sam. 19 mars18h30Nᵒ. 16107

KKL Luzern, salle de concert

Vergangenes Konzert


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Festival de Pâques

12/3-20/3 2016

 

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    19.

    Mar

    samedi
    18h30

    KKL Luzern, salle de concert

    Concert choral 4

    Orchestre symphonique et Chœur de la Radio bavaroise | Mariss Jansons | solistes

    (Peter Dijkstra direction)
    Mariss Jansons  direction
    Alexey Markov  baryton
    Ludwig van Beethoven (1770–1827)
    Ouverture de Coriolan op. 62
    version avec retouches de Gustav Mahler
    Felix Mendelssohn Bartholdy (1809–1847)
    Concerto pour violon et orchestre en mi mineur op. 64
    Serge Rachmaninov (1873–1943)
    Les Cloches. Poème symphonique op. 35 inspiré par un poème d’Edgar Poe
    En exil, Serge Rachmaninov se rappelait que dans son pays « les sonneries de cloches d’église dominaient toutes les villes russes que je connaissais. Elles accompagnaient chaque Russe de l’enfance à la mort, et aucun compositeur ne pouvait se dérober à elles. Toute ma vie, j’ai trouvé du plaisir à écouter les cloches, différentes par leur caractère et leur mélodie, joyeuses ou tristes. » Il leur a rendu un bel hommage dans sa symphonie chorale Les Cloches (1913) où il évoque avec éloquence la gaieté des grelots de traîneaux et des cloches nuptiales, l’inquiétant tocsin et le sombre glas, tout en puisant dans la liturgie orthodoxe traditionnelle. Le Chœur et l’Orchestre de la Radio bavaroise dirigés par Mariss Jansons présenteront ce chef-d’œuvre lors du premier concert de leur résidence lucernoise. Auparavant, Julian Rachlin nous emmènera dans les hautes sphères du Concerto pour violon de Mendelssohn.

    Orchestre symphonique de la Radio bavaroise

    The Bavarian Radio Symphony Orchestra was founded in 1949. As its first Chief Conductor, Eugen Jochum helped establish the Orchestra during his 11-year tenure and brought it international renown, especially through his Bruckner performances. Succeeding him was Rafael Kubelík (1961–79), who conducted the ensemble’s first Mahler cycle and expanded its repertoire to include works by Slavic composers as well as 20th-century music. Sir Colin Davis, an acclaimed Berlioz specialist, stood at the helm from 1983 to 1992 and proved to be an equally strong advocate for the Viennese Classical era and the works of British composers. Lorin Maazel held the reins from 1993 to 2002 and led complete cycles of works by Beethoven, Brahms, Bruckner, Schubert, and Mahler. Since October 2003 Mariss Jansons has held the position of Chief Conductor, playing a repertoire that ranges widely, from Haydn to Shostakovich and contemporary composers. Many renowned conductors have led the Orchestra, from Otto Klemperer and Karl Böhm through Sir Georg Solti, Carlo Maria Giulini, and Leonard
    Bernstein to such stars of today as Herbert Blomstedt, Sir John Eliot Gardiner, Bernard Haitink, Andris Nelsons, Yannick Nézet-Séguin, and Franz Welser-Möst in the 2016-17 season. The Orchestra regularly premieres new works through its musica viva series. The BR Symphony performs on tour around the world: most recently, in late autumn 2016, they concertized in Japan, Taiwan, and South Korea, and, at the beginning of 2017, in Vienna, Paris, Wrocław, Katowice, Milan, Luxembourg, and Amsterdam. Since 2004 the Bavarian Radio Symphony Orchestra has had an annual residency at Lucerne’s Easter Festival.

    LUCERNE FESTIVAL (IMF) debut on 28 August 1965 with works by Bartók and Bruckner, conducted by Rafael Kubelík.

    Februar 2017

    Autres dates

    Chœur de la Radio bavaroise

    Founded seventy years ago, in 1946, the Bavarian Radio Choir has been performing the great choral symphonic literature and oratorios from the Baroque to the present since then, in particular with the Bavarian Radio Symphony Orchestra. The latter’s music directors have regularly been in charge of the Choir’s artistic leadership: from Eugen Jochum through Rafael Kubelík, Sir Colin Davis, and Lorin Maazel to Mariss Jansons. The ensemble is especially acclaimed for its flexibility and for the stylistic diversity of its repertoire. The singers are capable of shifting effortlessly from the austere sonority of a Renaissance madrigal to a Romantic choral work or to the technical challenges posed by contemporary music – all while preserving their signature sonic homogeneity. Through its own subscription series at the Prinzregententheater in Munich, the Choir performs not only the classic works of the canon but also crossover projects and jazz literature. Serving as Artistic Director from 2005 to the summer of 2016 was the Dutch conductor Peter Dijkstra, a self-described “anti-specialist” who ensured the diversity of the programming. In the 2016-17 season, Howard Arman will become his successor. Regular tours and invitations to the major music festivals are among the Choir’s activities; the singers have also worked with such leading European orchestras as the Berlin and Vienna Philharmonics, the Royal Concertgebouw Orchestra Amsterdam, and the Staatskapelle Dresden. They additionally perform concerts with such period-instrument ensembles as Concerto Köln, B’Rock, and the Akademie für Alte Musik Berlin. The Bavarian Radio Choir has won three Echo Klassik Awards and, in 2015, the Bavarian State Prize for Music.

    LUCERNE FESTIVAL (IMF) debut on 30 August 1965 with Janáčeks From the House of the Dead conducted by Rafael Kubelík.

    August 2016

    Autres dates

    Mariss Jansons

    Mariss Jansons was born in 1943 in Riga and is the son of conductor Ar-vīd Jansons. He studied violin, piano, and conducting at the Leningrad Conservatory, completing his training as a student of Hans Swarowsky in Vienna and of Herbert von Karajan in Salzburg. Jansons was a prize winner in the conducting competition of the Karajan Foundation in Berlin in 1971. In the same year, Evgeny Mravinsky made him his assistant at the Leningrad (now the St. Petersburg) Philharmonic. From 1979 to 2000 Jansons served as Music Director of the Oslo Philharmonic Orchestra, and from 1997 to 2004 he was Principal Conductor of the Pittsburgh Symphony Orchestra. Since 2003 he has led the Bavarian Radio Symphony Orchestra. Beginning in 2004, for 11 years, he additionally led the Royal Concertgebouw Orchestra Amsterdam, which named him Honorary Conductor in 2015. Jansons has guest conducted the finest orchestras in the United States and Europe, including the Berlin and Vienna Philharmonics; he has led the latter’s New Year’s concerts in 2006, 2012, and 2016. Jansons’ discography comprises many prize-winning recordings, including his Grammy-winning account of Shostakovich’s Symphony No. 13. Mariss Jansons is an honorary member of the Society of Friends of Music in Vienna and of the Royal Academy of Music in London; the Berlin Philharmonic has honored him with the Bülow Medal, the City of Vienna with the Golden Medal of Honor, the State of Austria with the Honorary Cross for Science and Art, and the Federal Republic of Germany with the Grand Cross of the Order of Merit. In 2013 Jansons, who is also a member of the Bavarian Maximilian Order for Science and Art and a knight of the Order of the Netherlands Lion, received the Ernst von Siemens Music Prize, one of the most prestigious awards in the music world.

    LUCERNE FESTIVAL (IMF) debut on 20 April 1992 with the London Symphony Orchestra in a program of works by Weber and Strauss as well as Mahler’s First Symphony.

    February 2017

    Autres dates

    Julian Rachlin

    Born in 1974 in Vilnius, Lithuania, Julian Rachlin emigrated with his familiy to Vienna at the age of four. He began studying violin with Boris Kushnir at the Conservatory there in 1983; he additionally took instruction from Pinchas Zukerman. In 1988 he was named Young Musician of the Year in the Eurovision Competition in Amsterdam, which immediately led to concert engagements at the Berlin Festival under Lorin Maazel and with the Vienna Philharmonic under Riccardo Muti. Since then he has worked with many of the leading orchestras of Europe and the United States. So far in the 2015-16 season he has performed with the Filarmonica della Scala under Riccardo Chailly and the Tchaikovsky Symphony Orchestra under Vladimir Fedoseyev; in January he toured to the United States with the Orchestre National de France under Daniele Gatti. In recent seasons he has also concertized with the Leipzig Gewandhaus Orchestra, the Philharmonia Orchestra, the Boston Symphony Orchestra, and the St. Petersburg Philharmonic. On the recommendation of Mariss Jansons, Rachlin has taken up a second career as conductor and has led the Israel Philharmonic Orchestra, the Royal Liverpool Philharmonic, and the Czech Philharmonic. Since the fall of 2015 he has held the position of First Guest Conductor of the Royal Northern Sinfonia. Julian Rachlin is also committed to contemporary music: in 2012 he premiered Penderecki’s Concerto doppio, which is dedicated to him, with Janine Jansen and the BR Symphony Orchestra under Mariss Jansons. For 12 years he led the Julian
    Rachlin & Friends Festival in Du-
    brovnik, Croatia; since 1999 he has been a professor of violin at the Vienna Conservatory. Julian Rachlin, who is a Goodwill Ambassador for UNICEF, plays the “ex Liebig” Stradivari from 1704.


    Debut bei LUCERNE FESTIVAL am 27. August 1994 mit Prokofjews Erstem Violinkonzert und dem Pittsburgh Symphony Orchestra unter Lorin Maazel.

    February 2016

    Tatjana Pawlowskaja

    The soprano Tatiana Pavlovskaya, a native of Murmansk, received her musical training in piano, choral conducting, and voice. After graduating from the Rimsky Korsakov Conservatory in St. Petersburg she was immediately engaged as a member of the storied Mariinsky Theater ensemble, where she made her debut in 1995 as Tatiana in Tchaikovsky’s Eugene Onegin. Since then she has appeared on this stage in the central roles of her repertoire, from Mozart’s Fiordiligi and the Countess in Figaro through Verdi’s Desdemona and Alice Ford and Puccini’s Mimì and Liù to Elsa in Wagner’s Lohengrin, Janáček’s Jenůfa, and the Governess in Britten’s The Turn of the Screw. She is especially known as an interpreter of Russian operas: whether Lisa in Pique Dame, Maria in Mazeppa, Gorislava in Ruslan and Lyudmila, Paulina in The Gambler, or Sofia in Semyon Kotko. In 1998 Pavlovskaya made her debut at La Scala in Milan as part of a Mariinsky Theater guest performance of Prokofiev’s War and Peace. Other credits include at the Metropolitan Opera in New York, the Royal Opera House in London, Los Angeles and San Francisco Operas, the Gran Teatre del Liceu in Barcelona, and the Teatro Real in Madrid. She recently sang the Foreign Princess in Dvořák’s Rusalka at the Glyndebourne Festival, Giulietta in Offenbach’s Les Contes d’Hoffmann in Barcelona, and the solo soprano part in Britten’s War Requiem in performances at the Zurich Tonhalle and with the Chicago and Boston Symphony Orchestras, the Swedish Radio Symphony Orchestra, and the Orchestre National de Lyon. Tatiana Pavlovskaya has worked with such conductors as Semyon Bychkov, Charles Dutoit, Valery Gergiev, Vladimir Jurowski, Esa-Pekka Salonen, and Yuri Temirkanov.

    Februar 2016

    Maxim Aksenov

    Alexey Markov

    The baritone Alexey Markov, who was born in 1977 in Vyborg on the Karelian Isthmus in Russia, initially studied guitar and trumpet before deciding to take up a vocal career at the age of 22, for which he took private instruction. Two years later he was accepted by the Academy of the Mariinsky Theater in St. Petersburg, soon going on to victories in many vocal competitions. In 2005 he won Elena Obraztsova’s Young Opera Singers’ Competition and, in 2007, the Moniuszko Vocal Competition in Warsaw. Since 2008 Markov has been a member of the Mariinsky Theater ensemble, where he has been seen onstage in such roles as Don Carlo in Verdi’s La forza del destino, Amfortas in Wagner’s Parsifal, and Chorèbe in Berlioz’s Les Troyens. Markov made his Metropolitan Opera debut in New York in Prokofiev’s War and Peace in 2007 and has been a regular guest there ever since, singing Tomsky in Tchaikovsky’s Queen of Spades, Marcello in Puccini’s La Bohème, Count Luna in Verdi’s Il trovatore, and Valentin in Gounod’s Faust. Markov has appeared at Zurich Opera as Renato in Verdi’s Un ballo in maschera and has interpreted Donizetti roles including Enrico in Lucia di Lammermoor and Nottingham in Roberto Devereux. In 2011 Markov made his Salzburg Festival debut as Robert in Tchaikovsky’s Iolanta; in 2014 came his debuts at the Edinburgh Festival and San Francisco Opera. He has also appeared several times at the Munich and Dresden Staatsoper companies. In addition to his operatic career, Markov is also a devoted lieder singer. On CD/DVD he has recorded Tchaikovsky’s Iolanta (alongside Anna Netrebko) and Mah-ler’s Eighth Symphony with Valery Gergiev and the London Symphony Orchestra.

    February 2016

    17h30 | Présentation des œuvres par Susanne Stähr | KKL Luzern, Auditorium
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