Special Event Day – Museum Concert 3

Patricia Kopatchinskaja | Jay Campbell | Polina Leschenko

Enescu | Kodály | Ravel

Sun, 27.08. | 13.00 | No. 17333

Kunstmuseum Luzern

Vergangenes Konzert


20% discount off three concerts on the Special Event Day – to be purchased by telephone or in writing.



Please book a wheelchair ticket under t +41 (0) 41 226 44 80 (10 a.m. to 5 p.m.)

Summer Festival

11.08.-10.09. 2017

 

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    Special Event Day – Museum Concert 3

    Patricia Kopatchinskaja | Jay Campbell | Polina Leschenko

    George Enescu (1881–1955)
    Sonata No. 3 for Violin and Piano in A minor, Op. 25 Dans le caractère populaire roumain
    Zoltán Kodály (1882–1967)
    Duo for Violin and Cello, Op. 7
    Maurice Ravel (1875–1937)
    Tzigane. Concert Rhapsody for Violin and Piano

    In 1905 Béla Bartók and Zoltán Kodály went on the road together in order to systematically research the folk music of southeastern Europe. They made their way to secluded regions and had old peasant women sing them songs their grandmothers had sung and asked goatherds to play the flute and village musicians to play the fiddle. This archaic, unadulterated peasant music, which they heard and recorded in the process, served both composers as a way to renew the musical language and development of a specific identity: “from musical forces that have sprung up from the earth,” as Bartók put it. 
    The Special Event Day Museum Concerts will explore Bartók’s and Kodály’s revolution – and pose the question of what their contemporaries and the ensuing generation made of it. The Romanian George Enescu and the Frenchman Maurice Ravel, for instance, took up their innovations, while Sándor Veress (who was also the teacher of Heinz Holliger), György Ligeti, and György Kurtág initially carried them forward but ultimately freed themselves from the overwhelming influence of their early models. A wide variety of ensembles from the LUCERNE FESTIVAL ACADEMY – from duo and string quartet to wind quintet, brass ensemble, and string orchestra – will present this musical excursion across the Balkans. The centerpiece is a longer concert featuring this summer’s two “artistes étoiles”: the violinist Patricia Kopatchinskaja and the cellist Jay Campbell, who will be joined on their program by the Russian pianist Polina Leschenko. Whoever is interested in knowing whether all of this is still of relevance for the young generation of composers can find answers at the opening Composer Seminar workshop concert.

    Patricia Kopatchinskaja

    The violinist Patricia Kopatchinskaja was born in 1977 in Chişinău in the Republic of Moldova into a musical family – her mother is also a violinist and her father plays cimbalom. In 1989 the family emigrated to Vienna, where Kopatchinskaja began her studies at the Music Academy at the age of 13; she transferred four years later to the Academy of the Arts in Bern, completing her education there with Igor Ozim. She became known in professional circles through her victory at the International Szeryng Competition (2000) and won the Credit Suisse Young Artist Award in 2002. Today Kopatchinskaja works with leading orchestras and attracts attention through her unusual, often radical performances. Equally at home in early music, the Romantic repertoire, and contemporary fare, she is also an animated chamber musician and designs staged concerts. As LUCERNE FESTIVAL’s “artiste étoile” in 2017, she was able to showcase this wide spectrum. In the 2018-19 season, Kopatchinskaja appeared under Kirill Petrenko with the Bavarian Staatsoper Orchestra as well as the Berlin Philharmonic. She made her debut with the Cleveland Orchestra with Peter Eötvös’s violin concerto Seven, played the Tchaikovsky Concerto on a tour with Teodor Currentzis to Japan, and concertized with the Orchestre symphonique de Montréal under Kent Nagano. She also joined with musicians from the Berlin Philharmonic to sing and play as the narrator in Schoenberg’s Pierrot lunaire. Among the awards that Kopatchinskaja’s recordings have garnered are the International Classical Music Award, the Prix Caecilia, and Gramophone magazine’s Recording of the Year Award. Her album Death and the Maiden, which includes works from Dowland to Kurtág, won a Grammy Award in 2018. Her most recent release, with the pianist Polina Leschenko, is of sonatas by Bartók and Poulenc.

    LUCERNE FESTIVAL debut on 7 September 2002 playing the Sibelius Concerto with the Vienna Philharmonic under Mariss Jansons.

    July 2019

    Other dates

    Jay Campbell

    The American cellist Jay Campbell is an “artiste étoile” of the 2017 Summer Festival. He was born in 1989 in Berkeley, California, and studied at the Juilliard School in New York. His repertoire ranges from early music to contemporary works. A significant part of his formation took place at the LUCERNE FESTIVAL ACADEMY, which he attended in the summers of  2010 and 2011; he performed here as a soloist in Boulez’s Messagesquisse and Pli selon pli under the direction of the composer himself. Campbell received the Avery Fisher Career Grant in 2016. In the same year he was engaged by the New York Philharmonic, with whom he made his debut in 2013, as curator of the Ligeti Forward series, which he designed together with the LUCERNE FESTIVAL ALUMNI for the NY Phil Biennial; as part of this series, he performed György Ligeti’s Cello Concerto under the direction of Alan Gilbert. Campbell has collaborated with such composers as Elliott Carter, Matthias Pintscher, and Kaija Saariaho, as well as with many others from his own generation. John Zorn has written more than a dozen works for him, including The Aristos, a Pulitzer Prize-nominated score; it was included on the release Hen to Pan, listed as one of the New York Times’s Best Recordings of 2015. Jay Campbell has concertized at Carnegie Hall and Avery Fisher Hall in New York; the Kennedy Center in Washington, D.C.; the Robert and Margrit Mondavi Center for the Performing Arts in Davis, California; the Krannert Center in Illinois; the Marlboro Festival; Chamber Music Northwest; the Moab Music Festival; and the Heidelberger Frühling. He is a member of the JACK Quartet and the cellist of a new piano trio with violinist Stefan Jackiw and pianist Conrad Tao.

    August 2017

    Other dates

    Polina Leschenko

    The Russian pianist Polina Leschenko comes from a musical family in St. Petersburg and performed at the age of only eight with the Leningrad Symphony Orchestra. Two years later, she moved with her family to the West, where she studied with such mentors as Pavel Gililov and Vitaly Margulis. Today Polina Leschenko performs with orchestras such as the Camerata Salzburg, the Hallé Orchestra, the London Mozart Players, the Scottish Chamber Orchestra, the Russian National Orchestra, the Bournemouth Symphony Orchestra, and the Australian Chamber Orchestra. She has given solo recitals and chamber concerts in the Vienna Konzerthaus, the Amsterdam Concertgebouw, the Cité de la Musique in Paris, and Carnegie Hall and Lincoln Center in New York. She regularly collaborates with Martha Argerich, Patricia Kopatchinskaja, Julian Rachlin, and Mischa Maisky zusammen. She has taught at the Royal Conservatory of Antwerp since 2013.

    July 2017

    Package descount for the Special Event Day! 

    When you purchase a minimum of three different Special Event Day concerts, you will receive a discount of 20% on each ticket. You can purchase this package discount by telephone or in writing. All information can be found on the order form.