The Orchestra of the LUCERNE FESTIVAL ACADEMY in Köln

Orchestra of the LUCERNE FESTIVAL ACADEMY | Matthias Pintscher | Jay Campbell

Debussy | Francesconi | Bartók

Sun, 03.09.18.00

Philharmonie Köln

Vergangenes Konzert


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On Tour

14.10.-22.10. 2018

 

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    The Orchestra of the LUCERNE FESTIVAL ACADEMY in Köln

    Orchestra of the LUCERNE FESTIVAL ACADEMY | Matthias Pintscher | Jay Campbell

    Matthias Pintscher  composer and conductor
    Claude Debussy (1862–1918)
    Khamma (orchestrated by Charles Koechlin)
    Luca Francesconi (*1956)
    Das Ding singt for cello and orchestra
    Béla Bartók (1881–1945)
    The Wooden Prince Sz 60. A dancing-play in one act

    Béla Bartók takes up the theme of mistaken identities in his ballet The Wooden Prince. To win the attention of the haughty princess, the prince carves her a wooden doll that is his spitting image. But his beloved immediately falls in love with the wooden copy rather than with the original. For Béla Balász, who created this fairy-tale, it symbolized “the deep artistic tragedy that occurs so often: the work becomes a rival of its creator.”

    Orchestra of the LUCERNE FESTIVAL ACADEMY

    In 2003, the composer and conductor Pierre Boulez and Festival Executive and Artistic Director Michael Haefliger founded the LUCERNE FESTIVAL ACADEMY: an educational institution for music of the 20th and 21st centuries that is internationally unique. Each summer, highly talented young musicians from all around the world come together here for the opportunity to study in depth and then to perform contemporary scores and classics of modern music. Almost 1,200 graduates have taken part in the Academy over the past fifteen years, many of whom have attended for several summers. The German composer Wolfgang Rihm has been in charge of artistic leadership since 2016, with Matthias Pintscher serving as Principal Conductor. They are supported by internationally acclaimed performers of contemporary music who work as instrumental coaches. The orchestral and ensemble concerts for 2018 focus on the works of Karlheinz Stockhausen, including performances of such pieces as Inori and Gruppen; for the latter, the Academy Orchestra joins forces with the London Symphony Orchestra under the direction of Pintscher, Sir Simon Rattle, and Duncan Ward. They will give the world premiere of Peter Eötvös’s new score Reading Malevich and will also present works by Kurtág, Bella, Zimmermann, Nono, and composer-in-residence Fritz Hauser. The Composer Seminar is being led for the third time this year, in which young composers discuss their works with Wolfgang Rihm, Dieter Ammann, and other guests and rehearse them with selected LUCERNE FESTIVAL ALUMNI. A Conducting Fellowship offers scholarship holders the opportunity to follow along in the Academy’s work. The Orchestra of the LUCERNE FESTIVAL ACADEMY is once again participating this summer in the “Special Event Day” and appears in the “40min” series as well.

    July 2018

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    Matthias Pintscher

    Matthias Pintscher has been regularly associated with the LUCERNE FESTIVAL ACADEMY since 2016 as its Principal Conductor. Born in 1971 in Marl in North Rhine-Westphalia, he re-
    gards composing and conducting as complementary spheres of his artistic work. He studied composition with Giselher Klebe and Manfred Trojahn; Hans Werner Henze was also among his mentors, as was Peter Eötvös, who additionally taught him conducting. Pintscher quickly advanced to become one of the most successful composers of his generation: his music theater works Thomas Chatterton and L’Espace dernier received their premieres at the Dresden Semperoper and the Opéra national de Paris, respectively, and his orchestral works have been premiered by the Berlin and New York Philharmonics, the Philharmonia Orchestra, the London Philharmonic, the Chicago Symphony, and the Cleveland Orchestra. As a conductor, Pintscher has led such ensembles as the Berlin Philharmonic, the Cleveland Orchestra, the New York and Los Angeles Philharmonics, the Bavarian Radio Symphony Orchestra, the Staatskapelle Berlin, the Mahler Chamber Orchestra, and the Orchestra dell’Accademia Nazionale di Santa Cecilia; he made his debut with the Royal Concertgebouw Orchestra Amsterdam in February 2018 and with the London Symphony in June. He has been affiliated with the BBC Scottish Symphony Orchestra as artist-in-association since 2010, began his tenure as Music Director of the Ensemble intercontemporain in Paris in 2013, and in 2020 will serve as director of the Ojai Music Festival in California. The Hamburg Elbphilharmonie presented him as composer-in-residence and artist in focus during the inaugural 2016-17 season. In this capacity, he performed there with the Orchestra of the LUCERNE FESTIVAL ACADEMY. Matthias Pintscher teaches composition at the Juilliard School of Music in New York.

    LUCERNE FESTIVAL debut on13 August 2010 with the Mahler Chamber Orchestra in a program of works by Fauré, Chausson, Wagner, and Ravel

    July 2018

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    Jay Campbell

    The American cellist Jay Campbell is an “artiste étoile” of the 2017 Summer Festival. He was born in 1989 in Berkeley, California, and studied at the Juilliard School in New York. His repertoire ranges from early music to contemporary works. A significant part of his formation took place at the LUCERNE FESTIVAL ACADEMY, which he attended in the summers of  2010 and 2011; he performed here as a soloist in Boulez’s Messagesquisse and Pli selon pli under the direction of the composer himself. Campbell received the Avery Fisher Career Grant in 2016. In the same year he was engaged by the New York Philharmonic, with whom he made his debut in 2013, as curator of the Ligeti Forward series, which he designed together with the LUCERNE FESTIVAL ALUMNI for the NY Phil Biennial; as part of this series, he performed György Ligeti’s Cello Concerto under the direction of Alan Gilbert. Campbell has collaborated with such composers as Elliott Carter, Matthias Pintscher, and Kaija Saariaho, as well as with many others from his own generation. John Zorn has written more than a dozen works for him, including The Aristos, a Pulitzer Prize-nominated score; it was included on the release Hen to Pan, listed as one of the New York Times’s Best Recordings of 2015. Jay Campbell has concertized at Carnegie Hall and Avery Fisher Hall in New York; the Kennedy Center in Washington, D.C.; the Robert and Margrit Mondavi Center for the Performing Arts in Davis, California; the Krannert Center in Illinois; the Marlboro Festival; Chamber Music Northwest; the Moab Music Festival; and the Heidelberger Frühling. He is a member of the JACK Quartet and the cellist of a new piano trio with violinist Stefan Jackiw and pianist Conrad Tao.

    August 2017

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