Symphony Concert 9

Orchestra of the LUCERNE FESTIVAL ACADEMY | Heinz Holliger | Patricia Kopatchinskaja

Debussy | Koechlin | Holliger

Sun, 20.08.10.30No. 17315

KKL Luzern, Concert Hall

Vergangenes Konzert


Please book a wheelchair ticket under t +41 (0) 41 226 44 80 (10 a.m. to 5 p.m.)

Summer Festival

11.08.-10.09. 2017

 

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    Symphony Concert 9

    Orchestra of the LUCERNE FESTIVAL ACADEMY | Heinz Holliger | Patricia Kopatchinskaja

    Heinz Holliger  conductor
    Claude Debussy (1862–1918)
    Khamma (orchestrated by Charles Koechlin)
    Charles Koechlin (1867–1950)
    Les Bandar-log (Scherzo des singes), Op. 176
    Heinz Holliger (*1939)
    Violin Concerto Hommage à Louis Soutter

    An oboist, conductor, composer, and teacher, Heinz Holliger is a truly complete musician who can look back over a career that now spans six decades. He has the ideal depth and range of experience to impart to the students of the LUCERNE FESTIVAL ACADEMY the secrets of the art of performance. For their concert together, they will devote themselves to Khamma, a later, rarely  played ballet score by Claude Debussy which the composer was unable to complete – it was orchestrated by his Alsatian colleague Charles Koechlin. The latter will also be represented by the tone poem Les Bandar-log. Based on  Rudyard Kipling’s The Jungle Book, it’s a grotesque Scherzo that depicts a horde of screeching monkeys on their way through the jungle. Meanwhile, Holliger’s own Violin Concerto, which “artiste étoile” Patricia Kopatchinskaja will perform, addresses the topic of identity. Holliger wrote it as a tribute to the “mentally deranged” Swiss painter Louis Soutter, who was sent to a nursing home against his will and spent his last two decades there. 

    Orchestra of the LUCERNE FESTIVAL ACADEMY

    In 2003, the composer and conductor Pierre Boulez and Festival Executive and Artistic Director Michael Haefliger founded the LUCERNE FESTIVAL ACADEMY: an educational institution for music of the 20th and 21st centuries that is internationally unique. Each summer, highly talented young musicians from all around the world come together here for the opportunity to study in depth and then to perform contemporary scores and classics of modern music. Almost 1,200 graduates have taken part in the Academy over the past fifteen years, many of whom have attended for several summers. The German composer Wolfgang Rihm has been in charge of artistic leadership since 2016, with Matthias Pintscher serving as Principal Conductor. They are supported by internationally acclaimed performers of contemporary music who work as instrumental coaches. The orchestral and ensemble concerts for 2018 focus on the works of Karlheinz Stockhausen, including performances of such pieces as Inori and Gruppen; for the latter, the Academy Orchestra joins forces with the London Symphony Orchestra under the direction of Pintscher, Sir Simon Rattle, and Duncan Ward. They will give the world premiere of Peter Eötvös’s new score Reading Malevich and will also present works by Kurtág, Bella, Zimmermann, Nono, and composer-in-residence Fritz Hauser. The Composer Seminar is being led for the third time this year, in which young composers discuss their works with Wolfgang Rihm, Dieter Ammann, and other guests and rehearse them with selected LUCERNE FESTIVAL ALUMNI. A Conducting Fellowship offers scholarship holders the opportunity to follow along in the Academy’s work. The Orchestra of the LUCERNE FESTIVAL ACADEMY is once again participating this summer in the “Special Event Day” and appears in the “40min” series as well.

    July 2018

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    Heinz Holliger

    Heinz Holliger was born in 1939 in Langenthal in the Canton of Bern. He studied oboe (with Émile Cassagnaud and Pierre Pierlot), piano (with Sava Savoff and Yvonne Lefébure), and composition (with Sándor Veress and Pierre Boulez) in Bern, Paris, and Basel. His international career as an oboist, which has taken him to the major music centers all over the world, began in 1959, when he won first prize at the International Music Competition in Geneva; he additionally won the ARD Music Competition in Munich in 1961 – the same year in which he made his debut at the Internationale Musikfestwochen Luzern, now known as LUCERNE FESTIVAL. Holliger has expanded the technical capacities of his instrument and remains a strong supporter of contemporary music as well as of lesser-known works. Many composers, including Henze, Ligeti, and Lutosławski, have dedicated new scores to him. In 1977 Holliger took up his career as a conductor, which soon brought him to the most renowned orchestras, including the Berlin and Vienna Philharmonics, the Cleveland Orchestra, the Royal Concertgebouw Orchestra Amsterdam, and the Philharmonia Orchestra. He has also enjoyed a longterm partnership with the Chamber Orchestra of Europe. A composer in his own right, Heinz Holliger was featured in 1998 as composer-in-residence at the IMF Luzern. His opera Schneewittchen premiered in Zurich in 2002, where his latest stage work, Lunea, which is based on scenes from Nikolaus Lenau, was produced in the spring of 2018. Holliger has received numerous awards, including the Sonning Music Prize (1987), the Frankfurt Music Prize (1988), the Siemens Music Prize (1991), the Premio Abbiati of the Biennale di Venezia (1995), the Zurich Festival Prize (2007), and, most recently, the Robert Schumann Prize (2017). He has been a member of the American Academy of Arts and Sciences since 2016.

    LUCERNE FESTIVAL (IMF) debut on 31 August 1961 as oboe soloist in the Passacaglia concertante by Sándor Veress, with Rudolf Baumgartner conducting the Lucerne Festival Strings.

    July 2018



     

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    Patricia Kopatchinskaja

    The violinist Patricia Kopatchinskaja is Lucerne’s 2017 Summer Festival “artiste étoile.” Born in 1977 in Chişinău in the Republic of Moldova, she comes from a musical family – her mother also plays violin and her father performs on the cimbalom. In 1989 the family emigrated to Vienna, where the 17-year-old Kopatchinskaja began her studies at the Music University; four years later she transferred to the University of the Arts in Bern, where she completed her studies with Igor Ozim. She became known in professional circles through her victory at the International Szeryng Competition (2000), and in 2002 she won the Credit Suisse Young Artist Award. Today Patricia Kopatchinskaja works with leading orchestras and generates a buzz through her unusual, often radical performances. Equally at home in early music, the Romantic repertoire, and modern music, she is also an animated chamber musician and creates staged concerts. In the 2016-17 season she served as artist-in-residence at the Konzerthaus in Berlin and at London’s Wigmore Hall. She performed Ligeti’s Violin Concerto with the Filarmonica della Scala, the Berlin Philharmonic, and the Helsinki Philharmonic and Prokofiev’s Second with the London Philharmonic; together with the Russian ensemble musicAeterna and Teodor Currentzis, she toured Europa, playing Berg and Mozart. In 2018 she will take on the role of  Music Director of the Ojai Festival in California. Kopatchinskaja’s recordings have won the Echo Klassik Award (2009 and 2013), the International Classical Music Award, the Prix Caecilia, and Gramophone magazine’s Recording of the Year Award. Her most recent releases include the violin concertos of Schumann (conducted by Heinz Holliger) and Tchaikovsky (with Currentzis) as well as the album Death and the Maiden, featuring works by composers from Dowland to Kurtág.

    LUCERNE FESTIVAL debut on 7 September 2002 playing the Sibelius Concerto with the Vienna Philharmonic under Mariss Jansons.

    May 2017

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