Symphony Concert 2

musicAeterna | Teodor Currentzis | soloists

Haydn | Pergolesi

Fri, 07.04.19.30No. 17108

KKL Luzern, Concert Hall

Vergangenes Konzert


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Easter Festival

01.04.-09.04. 2017

 

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    Nuria Rial  soprano
    Paula Murrihy  mezzo-soprano
    Joseph Haydn (1732–1809)
    The Seven Last Words of Our Savior on the Cross
    Version for orchestra Hob. XX:1A
    Giovanni Battista Pergolesi (1710–1736)
    Stabat Mater in F minor

    Giovanni Battista Pergolesi has gone down in music history as the “angelico maestro,” the “angelic master.” The fact that he died all-too-early, in 1736, at the age of just 26, only provoked further comparisons with Mozart and established his legend. Pergolesi’s last completed work, the poignant Stabat Mater, in particular points to the promise that was cut short. This is music that has no desire to overwhelm with craftsmanship but prefers to move the listener with a heartwarming simplicity – an ideal that foreshadows later generations. Teodor Currentzis will pair this early stroke of genius with a piece of Passion music by the mature Joseph Haydn, the Seven Last Words of Our Savior on the Cross, which will be performed in the original orchestral version from 1787. Haydn mirrors each of Christ’s last words of with a profound musical meditation, ultimately allowing God’s wrath to erupt at the end with the “terremoto,” the earthquake: just the ticket for the ecstatic conductor Currentzis.

    musicAeterna

    The ensemble musicAeterna, which comprises an orchestra and a chorus, was founded in Novosibirsk in 2004 by Teodor Currentzis with the goal of covering a broad repertoire that ranges from the Baroque up into the present. From 2011 until 2019, the ensemble was headquartered at the Perm Opera and Ballet Theater (near the Urals), where it performed annually in a number of productions. Since September 2019 it has been working  independently and financed by the private sector. musicAeterna has developed in recent years into a genuine major export. Together with Teodor Currentzis, the orchestra and chorus have performed in Vienna, Amsterdam, London, Paris, Brussels, Lisbon, Helsinki, Moscow, and St. Petersburg, and, at the invitation of the Berlin Philharmonic, in the latter’s hall at the Philharmonie. Opera productions have taken them to the Ruhrtriennale, the Festival d’Aix-en-Provence, and the Festspielhaus Ba-den-Baden. They also enjoy a close partnership with the Salzburg Festival, where musicAeterna made its debut in 2017 with Mozart’s La clemenza di Tito; with Currentzis, the ensemble will return there in coming years to perform Wagner’s Tristan und Isolde and Bach’s B minor Mass. At the beginning of 2019, the ensemble undertook its first Japanese tour, and later this year comes its debut in New York with Verdi’s Requiem. musicAeterna has premiered a number of new works, including Dmitri Kourliandski’s opera Nosferatu, Philippe Hersant’s Tristia, and Alexei Syumak’s one-act Cantos. The ensemble and Currentzis have released many recordings in recent years, including their highly touted Mozart-Da Ponte cycle comprising Le nozze di Figaro (2013), Così fan tutte (2014), and Don Giovanni (2016). For these and other recordings, they have received the German Record Critics’ Prize, the Echo Klassik, and the Diapason d’or. In addition, musicAeterna has won the Russian National Theater’s Golden Mask Award 17 times.

    LUCERNE FESTIVAL debut on 25 March 2015, performing an all-Rameau program led by Teodor Currentzis.

    August 2019

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    Teodor Currentzis

    Teodor Currentzis, who was born in 1972 in Athens, initially studied violin and composition at the National Conservatory of his native city. He moved to St. Petersburg in 1994, graduating with a master’s degree from the conducting program led by Ilya Musin, the legendary teacher whose conducting students have also included Semyon Bychkov and Valery Gergiev. Currentzis’ first leadership position brought him to the Novosibirsk State Opera in 2004, where he was General Music Director for six years. From 2011 through the summer of 2019, he served as Music Director of the State Opera House in Perm, where he also helms the Diaghilev Festival. He has won international renown with musicAeterna, an orchestra and chorus that he founded in 2004. With these musicians he has performed at such venues as the Festspielhaus Baden-Baden, the Vienna Konzerthaus, the Amsterdam Concertgebouw, and the Berlin Philharmonie. As an opera conductor, Currentzis has appeared at Moscow’s Bolshoi Theater, Bavarian Staatsoper, Zurich Opera, the Teatro Real in Madrid, and the Festival d’Aix-en-Provence. He made his debut at the Salzburg Festival with Mozart’s La clemenza di Tito in 2017, and he conducted all nine Beethoven symphonies there in 2018 and, in 2019, Mozart’s Idomeneo. Currentzis began his tenure as Principal Conductor of the SWR Symphony Orchestra in the fall of 2018; in recent months they have focused on symphonies by Mahler, Tchaikovsky, and Shostakovich, additionally performing these works at the Vienna Konzerthaus and the Hamburg Elbphilharmonie. With musicAeterna he undertook a tour to Japan for the first time in February 2019. Teodor Currentzis has received the Golden Mask, the Russian National Theater prize, seven times; the critics of Opernwelt magazine voted him Conductor of the Year in 2016. His most recent recording is an account of Mahler’s Sixth Symphony.

    LUCERNE FESTIVAL debut on 25 March 2015, with musicAeterna in an all-Rameau program.

    August 2019

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    Nuria Rial

    The soprano Nuria Rial, who was born in Manresa in Catalonia, initially studied voice and piano at the Conservatory of Barcelona; after earning a double degree, she continued her training from 1998 to 2002 in Kurt Widmer’s concert class at the Basel Academy of Music. In 2003 she won the Helvetia Patria Jeunesse Foundation Prize in Lucerne. Baroque music is the focus of her repertoire, but Rial is also a successful Mozart performer and lieder singer. She has performed in concert with such ensembles as Il Giardino Armonico, Les Musiciens du Louvre, Concerto Köln, The English Concert, L’Arpeggiata, Il Pomo d’Oro, and Café Zimmermann and has worked with conductors like Laurence Cummings, Teodor Currentzis, Sir John Eliot Gardiner, Paul Goodwin, Thomas Hengelbrock, Gustav Leonhardt, and Trevor Pinnock. In addition to her concert activities, Nuria Rial also appears in selected opera engagements. She has performed in Monteverdi’s L’Orfeo at the Staatsoper Berlin and in Cavalli’s Eliogabalo at the Théâtre Royal de la Monnaie in Brussels, both times under the direction of René Jacobs. At the Teatro Real in Madrid she participated in Osvaldo Golijov’s Ainadamar, in the staging by Peter Sellars, and Iván Fischer engaged her as Pamina for a performance series of Mozart’s The Magic Flute with his Budapest Festival Orchestra. Nuria Rial has won the Echo Klassik Award four times: in 2009, when she was named Young Female Singer of the Year for her recording of Haydn arias; in 2009 and 2010 for the projects Teatro d’amore and Via crucis, which she recorded with Christina Pluhar and L’Arpeggiata; and in 2012 for her Telemann album with the Basel Chamber Orchestra. Her CD Ave Maria won Holland’s Edison Award.

    LUCERNE FESTIVAL debut on 31 August 2010, together with Philippe Jaroussky and L'Arpeggiata, under the direction of Christina Pluhar.

    February 2017

    Paula Murrihy

    The Irish mezzo-soprano Paula Murrihy, who comes from Kerry County, studied in Dublin and Boston. From 2009 to 2017, she was a member of the Frankfurt Opera ensemble, where she appeared as Polissena in Handel’s Radamisto, Dorabella in Mozart’s Così fan tutte, Meg Page in Verdi’s Falstaff, and Bizet’s Carmen. Murrihy now works as a freelance artist, performing at the Metropolitan Opera in New York, Los Angeles Opera, Zurich Opera, the National Opera in Amsterdam, the Royal Opera House in London, and English National Opera. In the summer of 2019, she appeared as Idamante in Peter Sellars’s new production of Mozart’s Idomeneo at the Salzburg Festival; she returns to the Frankfurt Opera in December, where she will sing the title role in Fauré’s Pénélope. Paula Murrihy has performed as a lieder singer at the Aldeburgh and Wexford Festivals, New York’s Carnegie Hall, and Wigmore Hall in London.

    August 2019

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    18.30 | Introduction (in German) by Susanne Stähr | Auditorium

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