Symphony Concert 1

musicAeterna | Teodor Currentzis | Patricia Kopatchinskaja

Mozart | Beethoven

Wed, 05.04.19.30No. 17106

KKL Luzern, Concert Hall

Vergangenes Konzert


Please book a wheelchair ticket under t +41 (0) 41 226 44 80 (10 a.m. to 5 p.m.)

Easter Festival

01.04.-09.04. 2017

 

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    Symphony Concert 1

    musicAeterna | Teodor Currentzis | Patricia Kopatchinskaja

    Wolfgang Amadé Mozart (1756–1791)
    Symphony in G minor, K. 183 (173dB)
    Concerto for violin and orchestra in D major, K. 218
    Ludwig van Beethoven (1770–1827)
    Symphony No. 3 in E-flat major, Op. 55 Sinfonia eroica

    Until 1991, Perm located near the Urals over 1,000 kilometers northeast of Moscow, was a “forbidden city” that foreigners were not permitted to visit but only allowed to pass through via the Trans-Siberian Railway. Yet it is precisely in this remote spot that a musical revolution has occurred: in 2011 the Greek conductor Teodor Currentzis settled there with his ensemble musicAeterna and began interpreting the supposedly familiar repertoire with such fundamentally freshness, in a literally radical way, that the world has not gotten over its astonishment. Currentzis will lead two concerts at the Easter Festival – and to launch these he has another indomitable personality at his side: the Moldova-born violinist Patricia Kopatchinskaja, who now lives in Switzerland. “The beautiful woman who is not too much given to beautiful notes, and the mystic. The child of immigrants and the fortune seeker. The anarchist and the revolutionary. What a perfect couple!” as Die Zeit recently remarked. Mozart and Beethoven would have enjoyed these artists.

    Patricia Kopatchinskaja offers a public rehearsal for primary school classes. Information and registration forms at young@lucernefestival.ch

    musicAeterna

    The ensemble musicAeterna, which comprises an orchestra and a chorus, was founded in Novosibirsk in 2004 by Teodor Currentzis with the goal of covering a broad repertoire that ranges from the Baroque up into the present. From 2011 until 2019, the ensemble was headquartered at the Perm Opera and Ballet Theater (near the Urals), where it performed annually in a number of productions. Since September 2019 it has been working  independently and financed by the private sector. musicAeterna has developed in recent years into a genuine major export. Together with Teodor Currentzis, the orchestra and chorus have performed in Vienna, Amsterdam, London, Paris, Brussels, Lisbon, Helsinki, Moscow, and St. Petersburg, and, at the invitation of the Berlin Philharmonic, in the latter’s hall at the Philharmonie. Opera productions have taken them to the Ruhrtriennale, the Festival d’Aix-en-Provence, and the Festspielhaus Ba-den-Baden. They also enjoy a close partnership with the Salzburg Festival, where musicAeterna made its debut in 2017 with Mozart’s La clemenza di Tito; with Currentzis, the ensemble will return there in coming years to perform Wagner’s Tristan und Isolde and Bach’s B minor Mass. At the beginning of 2019, the ensemble undertook its first Japanese tour, and later this year comes its debut in New York with Verdi’s Requiem. musicAeterna has premiered a number of new works, including Dmitri Kourliandski’s opera Nosferatu, Philippe Hersant’s Tristia, and Alexei Syumak’s one-act Cantos. The ensemble and Currentzis have released many recordings in recent years, including their highly touted Mozart-Da Ponte cycle comprising Le nozze di Figaro (2013), Così fan tutte (2014), and Don Giovanni (2016). For these and other recordings, they have received the German Record Critics’ Prize, the Echo Klassik, and the Diapason d’or. In addition, musicAeterna has won the Russian National Theater’s Golden Mask Award 17 times.

    LUCERNE FESTIVAL debut on 25 March 2015, performing an all-Rameau program led by Teodor Currentzis.

    August 2019

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    Teodor Currentzis

    Teodor Currentzis, who was born in 1972 in Athens, initially studied violin and composition at the National Conservatory of his native city. He moved to St. Petersburg in 1994, graduating with a master’s degree from the conducting program led by Ilya Musin, the legendary teacher whose conducting students have also included Semyon Bychkov and Valery Gergiev. Currentzis’ first leadership position brought him to the Novosibirsk State Opera in 2004, where he was General Music Director for six years. From 2011 through the summer of 2019, he served as Music Director of the State Opera House in Perm, where he also helms the Diaghilev Festival. He has won international renown with musicAeterna, an orchestra and chorus that he founded in 2004. With these musicians he has performed at such venues as the Festspielhaus Baden-Baden, the Vienna Konzerthaus, the Amsterdam Concertgebouw, and the Berlin Philharmonie. As an opera conductor, Currentzis has appeared at Moscow’s Bolshoi Theater, Bavarian Staatsoper, Zurich Opera, the Teatro Real in Madrid, and the Festival d’Aix-en-Provence. He made his debut at the Salzburg Festival with Mozart’s La clemenza di Tito in 2017, and he conducted all nine Beethoven symphonies there in 2018 and, in 2019, Mozart’s Idomeneo. Currentzis began his tenure as Principal Conductor of the SWR Symphony Orchestra in the fall of 2018; in recent months they have focused on symphonies by Mahler, Tchaikovsky, and Shostakovich, additionally performing these works at the Vienna Konzerthaus and the Hamburg Elbphilharmonie. With musicAeterna he undertook a tour to Japan for the first time in February 2019. Teodor Currentzis has received the Golden Mask, the Russian National Theater prize, seven times; the critics of Opernwelt magazine voted him Conductor of the Year in 2016. His most recent recording is an account of Mahler’s Sixth Symphony.

    LUCERNE FESTIVAL debut on 25 March 2015, with musicAeterna in an all-Rameau program.

    August 2019

    Other dates

    Patricia Kopatchinskaja

    The violinist Patricia Kopatchinskaja was born in 1977 in Chişinău in the Republic of Moldova into a musical family – her mother is also a violinist and her father plays cimbalom. In 1989 the family emigrated to Vienna, where Kopatchinskaja began her studies at the Music Academy at the age of 16; she transferred four years later to the Academy of the Arts in Bern, completing her education there with Igor Ozim. She became known in professional circles through her victory at the International Szeryng Competition (2000) and won the Credit Suisse Young Artist Award in 2002. Today Kopatchinskaja works with leading orchestras and attracts attention through her unusual, often radical performances. Equally at home in early music, the Romantic repertoire, and contemporary fare, she is also an animated chamber musician and designs staged concerts. As LUCERNE FESTIVAL’s “artiste étoile” in 2017, she was able to showcase this wide spectrum. In the 2018-19 season, Kopatchinskaja appeared under Kirill Petrenko with the Bavarian Staatsoper Orchestra as well as the Berlin Philharmonic. She made her debut with the Cleveland Orchestra with Peter Eötvös’s violin concerto Seven, played the Tchaikovsky Concerto on a tour with Teodor Currentzis to Japan, and concertized with the Orchestre symphonique de Montréal under Kent Nagano. She also joined with musicians from the Berlin Philharmonic to sing and play as the narrator in Schoenberg’s Pierrot lunaire. Among the awards that Kopatchinskaja’s recordings have garnered are the International Classical Music Award, the Prix Caecilia, and Gramophone magazine’s Recording of the Year Award. Her album Death and the Maiden, which includes works from Dowland to Kurtág, won a Grammy Award in 2018. Her most recent release, with the pianist Polina Leschenko, is of sonatas by Bartók and Poulenc.

    LUCERNE FESTIVAL debut on 7 September 2002 playing the Sibelius Concerto with the Vienna Philharmonic under Mariss Jansons.

    July 2019

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    This concert is under the auspices of the Friends of LUCERNE FESTIVAL