Panel Discussion Stockhausen

Kathinka Pasveer | Peter Eötvös | Wolfgang Rihm et al.

Sun, 02.09. | 15.00

KKL Luzern, Auditorium

Vergangenes Konzert


Summer Festival

17.08.-16.09. 2018

 

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    Panel Discussion Stockhausen

    Kathinka Pasveer | Peter Eötvös | Wolfgang Rihm et al.

    Kathinka Pasveer  musician and dance coach
    Peter Eötvös  conductor and composer
    Wolfgang Rihm  composer
    Thomas Ulrich  theologian
    Mark Sattler  host

    “The Religious and Musical Meaning of Inori

    For those who would like to delve more deeply into the two performances of Inori as part of the “Cosmos Stockhausen” series, the flutist Kathinka Pasveer, longtime companion of Stockhausen; the theologian Thomas Ulrich; the composer and conductor Peter Eötvös; and Wolfgang Rihm will discuss the religious and musical significance of this epochal work. In addition, they will offer exciting insights into the rehearsal process of Lucerne’s Inori production and into the work of the young musicians, conductors, and dancers.

    In collaboration with the Catholic Church of Lucerne

    Peter Eötvös

    Composer, conductor, and educator: Peter Eötvös combines these three roles in an extraordinary career. Born in 1944 in Hungarian Transylvania, he studied composition and piano at the Budapest Academy of Music and conducting at the Cologne Academy of Music. He was a member of Karlheinz Stockhausen’s ensemble from 1968 to 1976, playing piano and percussion, and from 1971 to 1979 he worked at WDR’s Studio for Electronic Music. In 1978, at the invitation of Pierre Boulez, Eötvös was appointed music director of the Ensemble intercontemporain – a position he held until 1991. As a conductor, he has worked with ensembles as the Berlin and Vienna Philharmonics; the Royal Concertgebouw Orchestra Amsterdam; the BBC Symphony Orchestra; the Budapest Festival Orchestra; the Gothenburg Symphony; the Vienna, Stuttgart, and Frankfurt Radio Symphony Orchestras; and the Ensemble Modern. From 1994 to 2005, he led the Hilversum Radio Chamber Orchestra and, in 2015, together with the London Symphony Orchestra, performed a concert for Boulez’s 90th birthday. Last season he was the resident artist with the Hamburg Elbphilharmonie, and in the 2018-19 season he will serve as Capell-Compositeur with the Staatskapelle Dresden. As a composer, Eötvös has enjoyed successes with such operas as Tri Sestri, Angels in America, Love and Other Demons, and Die Tragödie des Teufels. In 2007 he was composer-in-residence at LUCERNE FESTIVAL, where he presented the world premiere of his Violin Concerto Seven. His orchestral piece Reading Malevich is being premiered here on 1 September. Eötvös has taught at the Music Academies of Cologne and Karlsruhe; in 1991 he founded the International Eötvös Institute in Budapest and its associated Foundation for Young Conductors and Composers. He has received numerous awards for his artistic work, the most recent of which include the Hungarian Order of Saint Stephen (2016) and the Goethe Medal (2018).

    LUCERNE FESTIVAL (IMF) debut on 6 September 1987 with the Ensemble intercontemporain in works by Varèse to Carter.

    July 2018

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    Wolfgang Rihm

    The German composer Wolfgang Rihm, who has been Artistic Director of the LUCERNE FESTIVAL ACADEMY since the summer of 2016, was born in 1952 in Karlsruhe and began composing at an early age. While he was still a high school student, in 1968, he was accepted into Eugen Werner Velte’s composition class at the University of Music in Karlsruhe. He later continued his training with Karlheinz Stockhausen in Cologne (1972-73) and finally with Klaus Huber in Freiburg (1973–1976). At the University of Freiburg he additionally took seminars in musicology with Hans Heinrich Eggebrecht. A series of large-scale orchestral works  brought Wolfgang Rihm his international breakthrough in the late 1970s. Today he ranks among the most prolific and versatile composers of the present era and has created a multifaceted oeuvre that to date consists of more than 400 compositions, including nine works of music theater alone: Faust und Yorick (1976), Jakob Lenz (1977-78), Die Hamletmaschine (1983-86), Oedipus (1987), Die Eroberung von Mexico (1987-91), Séraphin (1994), Das Gehege (2006), Proserpina (2009), and Dionysos, which received its world premiere in 2010 at the Salzburg Festival. Since 1985 Rihm has been a professor of composition at the University of Music in Karlsruhe. He has long enjoyed a close relationship with LUCERNE FESTIVAL: he was featured as composer-in-residence on the programming in 1997, and in the following year his orchestral work IN-SCHRIFT was performed at the opening of the KKL Luzern; additional commissions have followed, including the symphony Nähe fern (2011-12), the Horn Concerto (2014), and his Gruss-Moment to mark the 90th birthday of  Pierre Boulez. Wolfgang Rihm, who has also published several volumes of essays and interviews, is a member of numerous academies and has received many prestigious awards, including the Ernst von Siemens Music Prize (2003), the Robert Schumann Prize (2014), the Grawemeyer Award (2015), and the European Church Music Prize (2017). He is a Commandeur dans l’Ordre des Arts et des Lettres, has been awarded the Grand Cross of the Order of Merit with Star of the Federal Republic of Germany, and is a member of the order “Pour le Mérite.”

     

    February 2017

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