Master Class in Conducting, day 1

Festival Strings Lucerne | Bernard Haitink

Mozart | Beethoven | Schumann | Debussy

Fri, 07.04. | 10.00 / 15.00 | No. 17114

KKL Luzern, Lucerne Hall

Vergangenes Konzert


Please book a wheelchair ticket under t +41 (0) 41 226 44 80 (10 a.m. to 5 p.m.)

Easter Festival

01.04.-09.04. 2017

 

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    Master Class in Conducting, day 1

    Festival Strings Lucerne | Bernard Haitink

    Students of the Master Class in Conducting  
    Bernard Haitink  conductor
    Wolfgang Amadé Mozart (1756–1791)
    Symphony in D major, K. 504 Prague
    Ludwig van Beethoven (1770–1827)
    Symphony No. 2 in D major, Op. 36
    Robert Schumann (1810–1856)
    Symphony No. 3 in E-flat major, Op. 97 Rhenish
    Claude Debussy (1862–1918)
    La Mer

    Some conductors use a baton, others do not – why is that the case? And what kinds of gestures are necessary to cue all of the musicians to come in precisely on time? Bernard Haitink’s master class at Easter provides answers to some very basic questions indeed. This is the seventh time that the Dutch maestro will have given young orchestra leaders a chance to benefit from his vast knowledge and his great experience as he joins them to explore central works of the orchestral repertoire. The auditors also learn much from these live lessons on stage: about the scores that are being discussed as well as about a conductor’s tricks of the trade. And certainly there will be a wide variety of conductor types to observe, from the wizards who elicit sound and the thrilling communicators to the careful disciplinarians.

    Festival Strings Lucerne

    The Festival Strings Lucerne, which were founded in 1956 by Rudolf Baumgartner and Wolfgang Schneiderhan, maintain an association with LUCERNE FESTIVAL through annual performances. The regular line-up is led by concertmaster and artistic director Daniel Dodds and consists of seventeen string soloists and a harpsichordist, but this can be expanded to a 60-member orchestra capable of performing the symphonic repertoire as well. The Strings have developed a unique sound culture through their use of master instruments from the legendary Cremonese workshops of Stradivari, Guarneri, and Amati that are owned by the ensemble as well as through their great performance tradition. From the very beginning, the ensemble’s profile has been shaped by its collaborations with prominent soloists. In the past, they were joined by such figures as Yehudi Menuhin, David Oistrakh, Pablo Casals, Wilhelm Kempff, and Clara Haskil, while today stars like Anne-Sophie Mutter, Mischa Maisky, Hélène Grimaud, Daniil Trifonov, Rudolf Buchbinder, Martin Grubinger, Vilde Frang, and Renaud and Gautier Capuçon rank among their musical partners. In addition to a concert series of their own in Lucerne, the Festival Strings Lucerne also regularly give concerts abroad: in the 2019-20 season, in addition to three tours in Germany, these will include guest appearances in Italy, Slovenia, and England, as well as a trip with the violinist Midori to Hong Kong, Singapore, China, and Korea. The Strings’ repertoire ranges from Baroque to contemporary music. They have premiered more than a hundred works to date, including compositions by Jean Françaix, Frank Martin, Bohuslav Martinů, Iannis Xenakis, and Krzysztof Penderecki. The ensemble regularly releases CDs: most recently, a recording of three Mozart violin concertos with Arabella Steinbacher.

    LUCERNE FESTIVAL (IMF) debut on 26 August 1956 in a program of works by Corelli, Purcell, Bach, and Pergolesi.

    October 2019

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    Bernard Haitink

    Bernard Haitink, who was born in Amsterdam, celebrated his 90th birthday in March. It was 65 years ago, in July 1954, that Haitink, who had been trained as a violinist, appeared on the podium for the first time to conduct the Netherlands Radio Symphony Orchestra. He made his debut in 1956 with the Concertgebouw Orchestra Amsterdam, which appointed him Music Director in 1961. For 27 years he had full responsibility there and is currently Honorary Conductor of the orchestra, with which he last appeared in December 2018 in a program of works by Mozart and Bruckner. Haitink has also held leadership positions with the London Philharmonic Orchestra (1967–79), the Glyndebourne Festival (1977–88), the Royal Opera House in London (1987–2002), and the Staatskapelle Dresden (2002–04) and has served as Principal Conductor of the Chicago Symphony Orchestra (2006–10). As a guest conductor, Haitink regularly conducts the Berlin and Vienna Philharmonics, the Boston Symphony Orchestra, and the Bavarian Radio Symphony Orchestra. His interpretations of Bruckner and Mahler have become benchmarks, but Haitink is equally acclaimed for his performances of Viennese Classicism. In recent years at LUCERNE FESTIVAL, Haitink has collaborated with the Chamber Orchestra of Europe in cycles devoted to Beethoven, Brahms, and Schumann. He has also been closely associated with the Festival as an educator and, from 2011 to 2018, led an annual master class in conducting at Easter. Haitink is a Knight of the British Empire, a Companion of Honour, and a member of the Order of the House of Orange-Nassau. In 2017  he was named Commander of the Order of the Netherlands Lion. The Berlin and Vienna Philharmonics as well as the Chamber Orchestra of Europe have made him an honorary member. Following this summer, Bernard Haitink will end his career: he will give his final concert on 6 September at LUCERNE FESTIVAL.

    LUCERNE FESTIVAL (IMF) debut on 17 August 1966 with the Swiss Festival Orchestra in a program of works by Schubert, Martin, and Mahler.

    July 2019

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