Modern 1

Ensemble intercontemporain | IRCAM – Centre Pompidou | Matthias Pintscher


Sun, 16350

KKL Luzern, Lucerne Hall

Vergangenes Konzert

Please book a wheelchair ticket under t +41 (0) 41 226 44 80 (10 a.m. to 5 p.m.)

Summer Festival

12.08.-11.09. 2016




    Modern 1

    Ensemble intercontemporain | IRCAM – Centre Pompidou | Matthias Pintscher

    IRCAM – Centre Pompidou  Computer Music Designer
    Gilbert Nouno  Computer Music Designer/IRCAM
    Sylvain Cadars  Sound Engineer/IRCAM
    Markus Noisternig  Scientific Consultant and Computer Music Designer/IRCAM
    Olga Neuwirth (*1968)
    Le Encantadas o le avventure nel mare delle meraviglie for six ensemble groups partitioned across the performance space, samples, and live electronics
    Swiss premiere | commissioned by LUCERNE FESTIVAL,
    SWR/Donaueschinger Musiktage, Ensemble intercontemporain, IRCAM – Centre Pompidou, and Wien Modern

    How does space become sound? That’s the question composer-in-residence Olga Neuwirth investigates in her large ensemble work Le Encantadas, which she completed last year – and which superimposes two entirely different island worlds. On the one hand these involve the Galapagos, the “enchanted islands” as Herman Melville describes them in his series of sketches The Encantadas depicting an antediluvian wasteland of lava rock populated only by prehistoric reptiles. On the other hand it involves the lagoon city of Venice, where Neuwirth has lived for several years. More precisely: the Venetian Church of San Lorenzo, where she attended the 1984 world premiere of Luigi Nono’s Prometeo and whose specific acoustics (including its unique reverberation) she has reconstructed using electronic means. “The listener is led over the course of 70 minutes through a labyrinth of real and fictitious outdoor spaces, interiors, varied (sonic-)island worlds, and acoustic and manipulated phenomena,” says Neuwirth of her “fictional space-time journey.”

    Ensemble intercontemporain

    Founded in 1976 by Pierre Boulez with support from the French Secretary of State for Culture at that time, Michel Guy, the Ensemble intercontemporain consists of 31 soloists who devote themselves entirely to music of the 20th and 21st centuries. In close collaboration with composers, they explore new instrumental techniques and also realize genre-defying projects in the areas of dance, theater, film, video, and visual art. They also perform together with the Paris-
    based IRCAM in projects involving electronic and synthesized music. After Pierre Boulez, who held the leadership position until 1978, Peter Eötvös helmed the Ensemble for twelve years; he was succeeded by David Robertson (1992–99), Jonathan Nott (2000–05), and Susanna Mälkki (2006–13). Since September 2013, the composer and conductor Matthias Pintscher has served as Music Director. The Ensemble intercontemporain commissions and performs new compositions every year and is active in addition in the realm of youth work and education through children’s concerts, workshops for students, and courses for instrumentalists, conductors, and composers, as well as through projects intended to attract a broad public to contemporary music. The Ensemble, which performs all over France and at the major international festivals and new-music concert series, is permanently headquartered at the Cité de la Musique in Paris; since January 2015, it has moreover served as resident ensemble at the new Paris Philharmonie. The Ensemble intercontemporain receives financial support from the French Ministère de la Culture et de la Communication and from the City of Paris. Supporting the premieres of new works is the Fondation Meyer.

    LUCERNE FESTIVAL (IMF) debut on 2 September 1985 with Pierre Boulez in a program of works by Holliger and Boulez

    February 2018

    Other dates

    IRCAM – Centre Pompidou

    IRCAM (Institut de Recherche et Coordination Acoustique/Musique), which Pierre Boulez founded in 1970 and which has been headquartered since 1977 in the Centre Pompidou in Paris, devotes itself to the creation of contemporary music and scientific research. Today the Institute, which since January 2006 has been led by Frank Madlener, employs more than 150 staff members in the areas of artistic creation, research, and education. IRCAM provides a forum for international composers in residence who can avail themselves of the excellent conditions for creative work there. These include technological innovations in the area of music and sound. New ideas in acoustics, signal processing, and computer sciences (interfaces, data bases, and programming languages) are developed at IRCAM; in addition, research projects in the science, analysis, and perception of music are also part of this endeavor. The resulting discoveries are shared with students as well as with a non-professional public in regular courses and workshops, with an ongoing effort to bring composers and researchers together. A master’s degree in acoustics and computer science applied to music is offered in partnership with the University of Paris. IRCAM’s diverse activities are reflected in its annual concert season and in the Agora Festival, in conjunction with which the most recent creative output and developments are presented. Thanks to its numerous commissions, IRCAM also supports young composers and initiates interdisciplinary projects that link music, dance, video, theater, and film. In addition to producing the technical components for computer music and works with live electronics, IRCAM’s staff members are also involved in performing and implementing ambitious scores around the world, as for example this summer as they participate again in the LUCERNE FESTIVAL ACADEMY.

    August 2012

    Matthias Pintscher

    Matthias Pintscher has been regularly associated with the LUCERNE FESTIVAL ACADEMY since 2016 as its Principal Conductor. Born in 1971 in Marl in North Rhine-Westphalia, he re-
    gards composing and conducting as complementary spheres of his artistic work. He studied composition with Giselher Klebe and Manfred Trojahn; Hans Werner Henze was also among his mentors, as was Peter Eötvös, who additionally taught him conducting. Pintscher quickly advanced to become one of the most successful composers of his generation: his music theater works Thomas Chatterton and L’Espace dernier received their premieres at the Dresden Semperoper and the Opéra national de Paris, respectively, and his orchestral works have been premiered by the Berlin and New York Philharmonics, the Philharmonia Orchestra, the London Philharmonic, the Chicago Symphony, and the Cleveland Orchestra. As a conductor, Pintscher has led such ensembles as the Berlin Philharmonic, the Cleveland Orchestra, the New York and Los Angeles Philharmonics, the Bavarian Radio Symphony Orchestra, the Staatskapelle Berlin, the Mahler Chamber Orchestra, and the Orchestra dell’Accademia Nazionale di Santa Cecilia; he made his debut with the Royal Concertgebouw Orchestra Amsterdam in February 2018 and with the London Symphony in June. He has been affiliated with the BBC Scottish Symphony Orchestra as artist-in-association since 2010, began his tenure as Music Director of the Ensemble intercontemporain in Paris in 2013, and in 2020 will serve as director of the Ojai Music Festival in California. The Hamburg Elbphilharmonie presented him as composer-in-residence and artist in focus during the inaugural 2016-17 season. In this capacity, he performed there with the Orchestra of the LUCERNE FESTIVAL ACADEMY. Matthias Pintscher teaches composition at the Juilliard School of Music in New York.

    LUCERNE FESTIVAL debut on13 August 2010 with the Mahler Chamber Orchestra in a program of works by Fauré, Chausson, Wagner, and Ravel

    July 2018

    Other dates

    10.00 | Concert introduction and book presentation O Melville! by Olga Neuwirth | Auditorium

    Broadcast date
    Radio SRF 2 Kultur | Broadcast on Wednesday, 24 August at 9 pm.