Symphony Concert 3

Chamber Orchestra of Europe | Bernard Haitink | Anna Lucia Richter

Schubert | Mahler

Tue, 19311

KKL Luzern, Concert Hall

Buy tickets

Prices (CHF)

CHF 240 200 150 100 60 30

Please book a wheelchair ticket under t +41 (0) 41 226 44 80 (10 a.m. to 5 p.m.)

Summer Festival

16.08.-15.09. 2019




    Symphony Concert 3

    Chamber Orchestra of Europe | Bernard Haitink | Anna Lucia Richter

    Bernard Haitink  conductor
    Franz Schubert (1797–1828)
    Symphony No. 5 in B flat major, D. 485
    Gustav Mahler (1860–1911)
    Symphony No. 4 in G major

    “He’s more and more like the patriarch Jacob, and all of these others, these young conductor jet-setters who are not even 60 or 70 years old, sit at his feet like sons,” wrote Christian Wildhagen in the Neue Zürcher Zeitung when Bernard Haitink conducted Mahler’s Ninth Symphony last summer. Wildhagen admitted that there was “a genuine reason for being a bit effusive.” That’s because, he argued, Haitink had achieved a milestone in Mahlerian reception, elevating it to a new level with his maturity and the serenity of his age. This positive experience demands a continuation. In this concert leading his favorite orchestra, the Chamber Orchestra of Europe, the now-90-year-old Haitink will once again probe Mahler’s inexhaustible, unfathomable Fourth Symphony, a work that culminates with a vision of Paradise. And with Schubert’s Fifth Symphony, we will already get a foretaste of heaven in the first part of the concert. This animated work of youth is the cure for melancholy, evoking an ideal of luminous beauty.

    In collaboration with the Swiss Paraplegic Foundation

    Chamber Orchestra of Europe

    The Chamber Orchestra of Europe (COE) was founded in 1981 by a group of young musicians who became acquainted as part of the European Union Youth Orchestra. There are now about 60 members of the COE, who pursue parallel careers as principals and section leaders at nationallybased orchestras, as, eminent chamber musicians, and as tutors of music. From the start, the COE’s identity was shaped by its partnerships with leading conductors and soloists. It was Claudio Abbado above all who served as an important mentor in the early years. He led the COE in such stage works as Rossini’s Il viaggio a Reims and Il barbiere di Siviglia and Mozart’s Figaro and Don Giovanni and conducted numerous concerts featuring works by Schubert and Brahms in particular. Nikolaus Harnoncourt also had a major influence on the development of the COE through his performances and recordings of all of the Beethoven symphonies, as well as through opera productions at the Salzburg, Vienna, and styriarte festivals. Currently the orchestra works closely with Yannick Nézet-Séguin, Sir András Schiff, and especially Bernard Haitink, with whom it has been appearing at LUCERNE FESTIVAL each year since 2007. It also enjoys close partnerships with the violinists Lisa Batiashvili and Janine Jansen and their colleague Leonidas Kavakos; the pianist Pierre-Laurent Aimard; and the conductors Vladimir Jurowski, Sir Antonio Pappano, and Robin Ticciati. The COE performed Mozart’s The Magic Flute under Yannick Nézet-Seguin in July 2018 in Baden-Baden. With more than 250 works in its discography, the COE’s CDs have won over 60 international prizes, including the Grammy Award, Gramophone’s Record of the Year Award, and MIDEM’s Classical Download Award. Their most recent releases, which appeared in the first half of 2018, include Visions of Prokofiev and Mozart’s La clemenza di Tito, both conducted by Yannick Nézet-Séguin.

    LUCERNE FESTIVAL (IMF) debut on 21 August 1986 in a program of works by Prokofiev, Mendelssohn, and Brahms under Claudio Abbado.

    For further information on this ensemble, visit their homepage at:

    July 2018

    Other dates

    Bernard Haitink

    Bernard Haitink, who was born in Amsterdam, celebrated his 90th birthday in March. It was 65 years ago, in July 1954, that Haitink, who had been trained as a violinist, appeared on the podium for the first time to conduct the Netherlands Radio Symphony Orchestra. In 1956 he made his debut with the Royal Concertgebouw Orchestra Amsterdam, which in 1961 appointed him Music Director. For 27 years he had full responsibility there and is currently Honorary Conductor of the orchestra, with which he last appeared in December 2018 in a program of works by Mozart and Bruckner. Haitink has also held leadership positions with the London Philharmonic Orchestra (1967–79), the Glyndebourne Festival (1977–88), the Royal Opera House in London (1987–2002), and the Staatskapelle Dresden (2002–04) and has served as Principal Conductor of the Chicago Symphony Orchestra (2006–10). As a guest conductor, Haitink regularly conducts the Berlin and Vienna Philharmonics, the Boston Symphony Orchestra, and the Bavarian Radio Symphony Orchestra. His interpretations of Bruckner and Mahler have become benchmarks, but Haitink is equally acclaimed for his performances of Viennese Classicism. In recent years at LUCERNE FESTIVAL, Haitink has collaborated with the Chamber Orchestra of Europe in cycles devoted to Beethoven, Brahms, and Schumann. He is also closely associated with the Festival as an educator and, from 2011 to 2018, led an annual master class in conducting at Easter. Haitink is a Knight of the British Empire, a Companion of Honour, and a member of the Order of the House of Orange-Nassau. In 2017, he received the highest civil honor of his homeland when he was named Commander of the Order of Lion of the Netherlands. The Berlin and Vienna Philharmonics as well as the Chamber Orchestra of Europe have made him an honorary member. After the 2018-19 season, Bernard Haitink will take a sabbatical.

    LUCERNE FESTIVAL (IMF) debut on 17 August 1966 with the Swiss Festival Orchestra in a program of works by Schubert, Martin, and Mahler.

    February 2019

    Other dates

    Anna Lucia Richter

    The German soprano Anna Lucia Richter, who was born in 1990, comes from a major musical family. After her initial vocal training with her mother, Regina Dohmen, she studied with Kurt Widmer and Klesie Kelly-Moog. She won the Mendelssohn Prize in 2011 and, in 2012, the International Robert Schumann Competition in Zwickau. She is a passionate lieder singer and has appeared in recitals at the Heidelberg Spring Festival, the Schubertiade in Schwarzenberg, and the Ruhrtriennale and at Wigmore Hall in London, the Amsterdam Concertgebouw, and the Park Avenue Armory in New York. She has worked with such pianists as Hartmut Höll, Gerold Huber, and Igor Levit. Wolfgang Rihm composed his song cycle Ophelia Sings for her. On the opera stage, Richter has performed Zerlina in Don Giovanni at Deutsche Oper am Rhein and Pamina in Die Zauberflöte at the Aalto Theater in Essen. She sang Eurydice and La Musica in a production of Monteverdi’s L’Orfeo staged by Sasha Waltz and conducted by Pablo Heras-Casado. In the spring of 2017 she sang in Henze’s Elegie for Young Lovers at the Theater an der Wien; at the opening of the 2017-18 season she will appear as Servilia in Mozart’s La clemenza di Tito under Teodor Currentzis in Bremen, Geneva, Dortmund, and Paris. Anna Lucia Richter’s credits in the concert hall include with the London Symphony, the Los Angeles Philharmonic, the San Francisco Symphony, the Royal Concertgebouw Orchestra Amsterdam, the Orchestre de Paris, the Accademia Nazionale di Santa Cecilia, and the Staatskapelle Dresden. She has recorded an album of Eichendorff lieder, Brahms’s Requiem, and Schumann’s Der Rose Pilgerfahrt. Anna Lucia Richter won the Borletti Buitoni Trust Award in 2016.

    LUCERNE FESTIVAL debut at the opening concert of the 2015 Summer Festival, when she sang in Mahler’s Fourth Symphony with the LUCERNE FESTIVAL ORCHESTRA under Bernard Haitink.

    June 2017

    Other dates

    18.30 | KKL Luzern, Auditorium
    Concert Introduction with Susanne Stähr (in German)