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Modern 5

Introduction | 10.00 | Auditorium
Mark Sattler in conversation with the four composers

Collegium Novum Zürich | Michael Wendeberg | Bettina Boller | Stefan Wirth
Sat, 11 September 2010 | 11.00 | KKL Luzern, Lucerne Hall
Collegium Novum Zürich (Susan Schimert-Ramme) 

Collegium Novum Zürich | Michael Wendeberg conductor | Bettina Boller violin | Stefan Wirth piano

Xavier Dayer (*1972)
“Le désert, c’est ce qui ne finit pas de finir / L’océan, c’est ce qui finit de ne pas finir” for Ensemble | world premiere

Rico Gubler (*1972)
“ROS” for Ensemble | world premiere

Cécile Marti (*1973)
“AdoRatio” for Violin and Ensemble | world premiere

Stefan Wirth (*1975)
“Le cru et le cuit” for Piano and Ensemble | world premiere

Commissioned by Pro Helvetia (Marti, Dayer, Wirth) and LUCERNE FESTIVAL

The festival-within-a-festival “(z)eidgenössisCH” kicks off with four new compositions for ensemble. We hear first from the generation of thirty-somethings. However varied the backgrounds of these three composers and their colleagues, they have something in common: All of them began their careers as instrumentalists. Cécile Marti was initially a violinist before undertaking studies with “composer-in-residence” Dieter Ammann in 2004. Rico Gubler, a student of Balz Trümpy and Salvatore Sciarrino, remains in demand as a saxophone player, and Stefan Wirth, who learned the craft of composition at the Britten-Pears-School in Aldeburgh, is an active chamber musician and lieder accompanist. For his part, Xavier Dayer began his career as a classical guitarist but then went on to study at IRCAM in Paris, where he received his education as a composer from Tristan Murail and Brian Ferneyhough.


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