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Symphony Concert 30

Introduction with Susanne Stähr | 18.30 | Auditorium

Chorus and Orchestra from the State Academic Bolshoi Theatre | Dmitri Jurowski | Soloists
Wed, 15 September 2010 | 19.30 | KKL Luzern, Concert Hall
Chor und Orchester of the Bolschoi-Theatre (Pavel Rychkov) 

Orchestra of The State Academic Bolshoi Theatre of Russia | Dmitri Jurowski conductor | Irina Rubtsova Larina | Ekaterina Shcherbachenko Tatyana | Svetlana Shilova Olga | Irina Udalova Filipjevna | Vasily Ladyuk Eugene Onegin | Alexey Dolgov Lensky | Konstantin Gorny Gremin | Valery Gilmanov Zaretsky | Vyacheslav Voynarovsky Triquet

Pyotr Ilyich Tchaikovsky (1840-1893)
“Eugene Onegin.” Lyric scenes based on Pushkin’s novel
Concert performance in Russian language

“All the Wotans, Brünnhildes, Frickas, etc. are so implausible, so completely non-human, that it’s quite difficult to care about their fate,” was Tchaikovsky’s put-down of the figures created by his colleague Richard Wagner. The Russian composer’s own operatic heroes, in contrast, share an entirely different quality. He felt they had to be real humans who endure the conflicts of everyday life. Take Tatyana, a sentimental young girl from the provinces, who falls in love with Eugene Onegin, a jaded playboy from St. Petersburg. She confesses her love via a letter but is rejected and goes on to marry an elderly general. But one day, when she least expects it, her erstwhile heartthrob Onegin resurfaces—only now he’s the one seeking her favor. However, the burnt-out dandy no longer casts a spell over Tatyana: He loses his power at the very moment when he learns to love truly for the first time.


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